Why Justin Bieber, Elton John, Madonna, and, yes, Alicia Keys, love to play Tel Aviv—and why Israel loves them back
By Liel Leibovitz for Tablet MagazineIt was the summer of 2011, and some of Israel’s best-trained security personnel were having a rough time: The perimeter had been breached, and before they knew it, hordes of hostiles were moving quickly, closing in on the target. All seemed lost, but men trained in close-quarter combat in Gaza and Ramallah and southern Lebanon are never without contingency plans. They didn’t disappoint: Before anyone could tell what was going on, an engine roared and a white scooter appeared from somewhere just by the waterline.
It was time to get Justin Bieber away from the paparazzi.
Before the photographers and the shrieking fans could give chase, the scooter whisked away the boy wonder into traffic and toward an undisclosed location. It was an Entebbe-like operation, rich with detail, the kind that makes Israel among the best places in the world for rock stars to visit.
Think of international artists performing in the Jewish state, and a parade of controversies comes to mind, such as the time Roger Waters used his visit as a platform to talk politics, the time Macy Gray came back from her visit and Tweeted that she regretted the whole thing, or the time Elvis Costello canceled his concert to express his solidarity with the Palestinians. And Israel’s concert promoters, a very small clique, hold the same stature as the country’s top diplomats, more accustomed to discussing politics than sex and drugs and rock ’n’ roll.
What they’ve given the country in return is simple but priceless: Bieber, Elton John, Madonna, Lady Gaga, and a host of other luminaries who’ve performed in Tel Aviv recently, leading a renaissance in celebrity visits to Israel unseen since the heady and hopeful days of the 1993 Oslo Accords. For these entertainers, accustomed to the vagaries of touring, Israel is not a sensitive topic to discuss sotto voce, but a haven, a country seemingly engineered to provide itinerant performers with their very particular needs.
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