By Rebecca Spence for JTA
BERKELEY,
Calif. (JTA) – Plucking a violin on an empty stage, an animated scene
of Manhattan skyscrapers scrolling behind her pregnant body, the
musician, poet and Torah scholar Alicia Jo Rabins begins to sing what
sounds like a mystical incantation of sorts.
“Bring me your empty jar, I will fill it,” she intones. “Where it comes from, I can’t tell you, no one knows.”
Inspired
by the biblical story of the prophet Elisha, Rabins, 37, is musing in
the broadest possible terms about the crimes of Bernard Madoff, whose
decades-long Ponzi scheme and the resulting fallout — particularly in
the Jewish community — led to the creation of her first experimental
rock opera, “A Kaddish for Bernie Madoff.”
Rabins’ one-woman
show, which had its California premiere last month at the Berkeley
Jewish Music Festival and will be released next week as a digital
download, parses the unholy ground of Madoff’s crimes through the eyes
of seven disparate characters with both direct and indirect ties to the
$50 billion scam.
Over the course of two years Rabins – who with a
workspace grant from the Lower Manhattan Cultural Council was working
out of an abandoned Wall Street office when news of the scandal broke –
conducted interviews with a wide-ranging cast of characters, from a
Jewish-Buddhist monk who offered philosophical reflections to a Wall
Street risk analyst who saw the writing on the wall.
“I wanted to
have a Jewish response to Bernie Madoff,” Rabins said over coffee in
Portland, Ore., where she moved last year from Brooklyn, N.Y., with her
husband and 2-year-old daughter, Sylvia. “I grew interested in the
ancient rituals of excommunication, and so I wanted to consider whether a
modern, secular excommunication might be warranted. I mean, if not
Madoff, then who?”
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