Quiet King of Orthodox Music

Yossi Green, the Satmar-raised composer who found inspiration in Roberta Flack, writes Jewish spirituals

By Joseph Winkler for Tablet Magazine

One evening last month, under a ceiling visibly weighed down by a library of over 10,000 books, Yossi Green, one of the most prolific and talented composers in the world of traditional Jewish music, performed a kumzitz. Part VH1 Storytellers episode and part campfire singalong, the performance was for a 40-strong gang of jittery, somewhat inattentive 18- to 21-year-old yeshiva bochurim. Green, who speaks in the style of Don Corleone and dresses in designer shoes and glasses, played with genuine spirituality and, ever the entertainer, molded his reactions and songs to the audience’s desire for a more jaunty experience. They wanted to sing and shout, and Green obliged them.

Though you might not know it, even a cursory look at the contemporary Jewish music scene reveals Green’s comprehensive influence. He is the composer behind the stars of contemporary Orthodox music, with its ecology of popular songs, including those of Mordechai Ben David (“Anavim, Anavim,” “Rashi’s Niggun,” “Da’agah Minayin”), Avraham Fried (“Aderaba,” “Tanya,” “Yerushalayim Oro Shel Olam,” “V’Zakeini”), Yaakov Shwekey (“Ata Shomer,” “Yedid,” “Ki Hatov”), Dudu Fisher (“Akeidat Yitzchak,” “Kaddish”), and Lipa Schmeltzer (“Wake up Leap of Faith,” “Kaveh”). Green also works closely with many of the rising talents of the current generation, including Shloime Daskal, Shimon Craimer, Shloime Gertner, Shloime Taussig, Shragee Gestetner, and Cantor Yitzchok Meir Helfgot. His eighth album was released this summer. Green’s acolytes treat him like a visionary genius, underappreciated in the wider Jewish community.







Yossi Green from Tablet Magazine on Vimeo.


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