By Judy Maltz for The Jewish Daily Forward
(Haaretz) — The
music of German composer Richard Wagner was never played in his parents’
home: Too many bad associations with Hitler and the Nazis, explains
filmmaker Hilan Warshaw.
So
it wasn’t until he began playing violin in a New York City youth
orchestra that Warshaw was first introduced to the work of the
notoriously anti-Semitic 19th-century German opera composer. And rather
embarrassingly, he found himself smitten.
“I just loved the music. But, at the same time, it was something that my conscious mind told me was anathema,” he recalls.
Over
the years, Warshaw – whose family lost many relatives during the
Holocaust – developed what he describes as a “push-pull relationship”
with Hitler’s favorite composer. And it made him curious about the other
Jews in Wagner’s life.
So curious, in fact, that he decided to
devote the past several years to making a film on the subject. The fruit
of that effort, “Wagner’s Jews,” is playing in Tel Aviv at the Docaviv
festival, Israel’s premier event for documentary film.
Produced,
directed and written by Warshaw, the feature-length film focuses on the
Jews who were some of Wagner’s closest associates, among them the gifted
young pianist Carl Tausig, who was almost like a son to him; the
conductor Hermann Levi, who happened to be the son of a rabbi; and the
pianist Joseph Rubinstein, who lived in Wagner’s home for many years and
killed himself when the composer died.
The film also explores the complicated relationship of post-Holocaust Jews, both in Israel and abroad, with Wagner’s music.
Although
it is not well known that Wagner had many Jewish supporters and
friends, notes Warshaw, neither should it be all that surprising.
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