Monday, April 13, 2015

Watch The Sway Machinery’s Ghostly New Video

Jewish band’s new album evokes the haunting of the past


By Gabriela Geselowitz for Tablet Magazine

The Sway Machinery is back with their latest album, Purity and Danger, and we’re premiering the music video for their new song, “My Angel’s House.”

The Sway Machinery is the project of Jeremiah Lockwood, musician and grandson of the legendary cantor Jacob Konigsberg. The band’s genre is hard to pinpoint, as it incorporates everything from rock to blues, to traditional Ashkenazi music.

“This new record, I would say that there’s a strong recurring theme having to do with ghosts,” Lockwood told me. “Ghosts are a collaborative element in creativity, and they’re not really to be afraid of—and they’re part of the band, so to speak—they’re members of the wedding.”

“My Angel’s House,” one of the two English songs on the new album, certainly fits that category. The eerie release, directed by Tatiana McCabe, is a departure from the band’s music video for “My Dead Lover’s Wedding.” In the new video, Lockwood sings about his love, interspersed predominantly with images of trains and the art of Amadeo Modigliani (also Jewish). Lockwood explained that the video may tell the story of a lover who’s dead, literally or metaphorically, and the distance that creates. Taking the train poses its own sort of danger.

“Here’s the collapsing of the train story with something that’s impossible to obtain, and there’s the fear of violence,” Lockwood said. There’s an “incredible familiarity and other-worldliness.”

Here’s the video:




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Monday, April 6, 2015

The Jewish Music Report

The largest team of Jewish music writers on the web

Are you looking for the latest in Jewish music from the frum world?  the Jewish Music Report carries all the latest news, music, videos, audio samplers, articles, concert news and more.

Where else can you get a video of Hava Nagilah in France...


 

...and watch the serious, The Marvelous Midos Machine?














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Monday, March 30, 2015

The Israeli Sisters Whose Music Video is Sweeping Across the Arab World

By Avishay Artsy for Jewniverse

On March 8, a music video uploaded to YouTube flew from the Israeli desert to Yemen and through the Middle East. Its three stars, sisters Tair, Liron and Tagel Haim (not to be confused with L.A.’s three-sister rock band Haim) became immediate celebrities.

Going by the name A-WA (pronounced Ay-wa, Arabic for “yes”), the young women sing in Arabic, wear bright pink dresses and head scarves, and tear through the desert in a Yemeni jeep. Then they dance-battle three guys (potential suitors?) wearing matching blue Adidas tracksuits.

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Monday, March 23, 2015

New York symphony pulls composition with Nazi anthem

Rising composer Jonas Tarm’s ‘March to Oblivion,’ featuring quotation from ‘Horst Wessel,’ was to be performed in Carnegie Hall


By Lazar Berman, The Times of Israel

A composition from a budding young composer set to be performed Sunday at New York’s Carnegie Hall  was pulled because it contained a musical quotation from the Nazi anthem.

Estonian-born composer Jonas Tarm, 21, won a commission to write the piece from the prestigious New York Youth Symphony’s First Music composer’s contest. But Tarm’s nine-minute composition, entitled “Marsh u Nebuttya,” or “March to Oblivion” in Ukrainian, contained a 45-second musical quotation from “Horst-Wessel-Lied,” the Nazi anthem still banned in Germany and Austria.

The composition also featured a 45-second quotation from the anthem of the Ukrainian Soviet Socialist Republic.

NYYS Executive Director Shauna Quill told The New York Times that the move was “highly unusual,” but was undertaken “thoughtfully, but firmly, as soon as we learned the piece incorporated significant portions of music written by others that we determined were problematic for an orchestra such as ours to be asked to perform.”

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Monday, March 16, 2015

The Jewish Songwriter Behind Billie Holiday’s “Strange Fruit”

By Matthue Roth for Jewniverse

The song “Strange Fruit,” one of the most haunting jazz ballads of the past century, was made famous by Billie Holiday. But it was written by a Jewish man named Abel Meeropol, who was inspired to write the story after seeing a photograph of two young black men being lynched.

The lynching occurred over 80 years ago, on August 6, 1930. Three young black men were accused of shooting a white man. A mob came to the town jail, demanding to be let in. The sheriff refused, and people took sledgehammers to the jail doors. They carried away two of the young men, beat them, and hung them from a nearby tree.

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Monday, March 9, 2015

The 1938 Jazz Concert That Changed Black and Jewish History

By Zachary Solomon for Jewniverse


When Benny Goodman, the Jewish clarinetist and so-called “King of Swing” took center stage at Carnegie Hall on January 16, 1938, the audience was in for more than just a rollicking time.

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Monday, March 2, 2015

Jewish Music Quiz

From MyJewishLearning.com

Jewish music today extends well beyond the synagogue, to the concert halls of Israel, the Klezmer revival, and the reggae of Matisyahu. How much do you know about Jewish music?

Question 1 of 7:

Which musician recorded Hava Nagila as "Holiday Mambo"?

 Machito and his Afro-Cuban Orchestra
 Harry Belafonte
 Bruce Springsteen
 Bob Dylan

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